影片相关问答
1.《综合 第一季》讲述的是什么故事?
百度影音 网友:该部电视剧讲述了Omnibus was the most successful cultural magazine series in the history of U.S. commercial television and a prototype for the development of programming on educational television. Developed by the Television-Radio Workshop of the Ford Foundation, Omnibus generated both corporate sponsorship and a loyal, but limited, network audience for intellectual programming over nine years (1952 to 1961) on all three networks.Omnibus was the vision of Robert Saudek, a former ABC vice-president of public affairs who became director of the Workshop in 1951. Commissioned to devise an innovative series for network television, Saudek created a variety show for the intellect, a compendium of the arts, literature, science, history, and even some pure entertainment. Saudek hired journalist Alistair Cooke to serve as master of ceremonies. Cooke was known for his literate commentary on Letter from America, a BBC radio series heard throughout Great Britain. With initial underwriting from the Ford Foundation, which TV Guide called "risk capital" for the untried, Saudek also secured financing from advertisers to produce a weekly, ninety-minute series, first airing 4:30-6:00 P.M. on Sunday afternoons. Omnibus premiered on 9 November 1952 over CBS. The first installment featured Rex Harrison and Lilli Palmer as Henry VIII and Anne Boleyn; William Saroyan narrating an adaptation of his short story "The Bad Men"; and the first images of X-ray movies, an inside look at the working human digestive system .Saudek and his producers, among them Fred Rickey, William Spier, and Mary V. Ahern, deftly interwove the high and popular arts into a cultural smorgasbord. Their definition of "culture" was flexible enough to encompass Orson Welles's triumphant return form Europe to star in Peter Brook's adaptation of King Lear; a production of William Inge's "Glory in the Flower" with Jessica Tandy, Hume Croyn, and a still very green James Dean; S. J. Perelman's paean to burlesque with Bert Lahr; several appearances by Agnes DeMille, including the performance of her ballet "Three Virgins and the Devil ("Virgins" becoming "Maidens" because of network censors); Jack Benny recreating his notorious role as an avenging angel in "The Horn Blows at Midnight"; and Peter Ustinov in his American television debut as Dr. Samuel Johnson. Omnibus also gave air time to artists new to the mass media: William Faulkner gave a tour of Oxford, Mississippi; James Agee contributed a five-part docudrama on the life of Abraham Lincoln, now considered one of the first miniseries; Frank Lloyd Wright discussed architectural forms with Cooke; and painter Thomas Hart Benton gave a tour of his studio. In addition, individuals who would later become fixtures in prime time received a career boost on Omnibus, including Mike Nichols and Elaine May, who brought their sardonic humor to an edition entitled "Suburban Revue"; Les Ford and Mary Ford, who demonstrated multi-track recording with a madrigal-singing Cooke; and Jacques Cousteau, who screened his first undersea adventure on American television.Beginning with Leopold Stokowski and Benjamin Britten's "Young Person's Guide to the Orchestra," Saudek linked pedagogy with showmanship to produce a series of visual lectures that became a model for educational television. The most stimulating and original of the electronic teachers was Leonard Bernstein, who single-handedly enlarged the possibilities of musical analysis and performance on television. Commencing with his dissection of Beethoven's Fifth Symphony in 1954, Bernstein brought an intellectual passion of excitement and discovery to his subject and later explored musical comedy, jazz, grand opera, and modern music with the same vigor. Gene Kelly in his video lecture compared the art and choreography of ballet dancers to the movements of professional athletes, exemplified by his tap dance with boxer Sugar Ray Robinson.For most of its run, Omnibus, nearly always broadcast live, graced the "ghetto" of weekend programming, Sunday afternoon. As that daypart became more valuable, beginning on CBS with the success of professional football, Omnibus shifted to other networks. The series was seen on CBS from 1952 to 1956; on ABC 1956 to 1957; and NBC 1957 to 1961. During the final season Omnibus appeared as a series of irregular specials, concluding with a look at the future of the western hemisphere. In all, Saudek and his team assembled 166 volumes totaling more than 230 hours of entertaining enlightenment. The series was revived by producer Martin Starger as a series of special on ABC in 1981.The artistic concerns and approaches to production of Omnibus provided a road map for public television. The Ford Foundation, citing Omnibus's struggle for ratings, questioned whether commercial broadcasters were dedicated to "the development of mature, wise and responsible citizens," and began to fund educational television projects. Without the Foundation's support, Saudek in 1955 formed his own production company to create and gain network sponsorship for the series. The Omnibus sensibility has been felt throughout the history of public television. During the National Educational Television years, NET Playhouse (1966-72) and NET Festival (1967-70) were direct descendants. Since the formation of the Public Broadcasting Service, Great Performances (1974-present) partakes of the Omnibus ethos to share a cultural melange with a discriminating audience. And, of course, the ringmaster of Omnibus, Alistair Cooke became a PBS icon for over twenty years as host of Masterpiece Theater.-Ron SimonHOSTAlistair CookePRODUCERSRobert Saudek, Fred Rickey, William Spier, Mary V. AhernPROGRAMMING HISTORYCBSOctober 1953-April 1956 Sunday 5:00-6:00 ABCOctober 1956-March 1957 Sunday 9:00-10:30 NBCApril 1957-April 1961 Sunday Irregular ScheduleFURTHER READINGBeck, Kirstin. Cultivating the Wasteland. New York: American Council for the Arts, 1983.Bernstein, Leonard. The Joy of Music. New York: Fireside, 1963.Henderson, Amy. On the Air Pioneers of American Broadcasting. Washington, D. C.: Smithsonian Institution Press, 1988.Leonard Bernstein: The Television Work. New York: Museum of Broadcasting, 1985.Rose, Brian. Televising the Performing Arts. Westport, Connecticut: Greenwood Press, 1992._______________. Television and the Performing Arts. Westport, Connecticut: Greenwood Press, 1986.
2.《综合 第一季》的主演有谁?
西瓜影音 网友:
3.《综合 第一季》上映时间?
光棍影院 网友:上映播出时间1952!
4.《综合 第一季》有多少集?
百度云资源 网友: 集数: 共26集 | 每集 45分钟
5.手机哪里可以看《综合 第一季》?
万能影视 网友: 神马影视手机版 、 手机电影网80s 、 16影视手机版
6.手机看《综合 第一季》需要会员吗?
青苹果影院 网友:请直接在 腾讯视频 、 华安影院 、 爱奇艺 、 优酷视频 搜索栏输入影片名称,点击搜索后将会出现与《综合 第一季》相关的所有信息,您也可以知道是否需要开通会员了。
7.如何评价《综合 第一季》这部其他剧?
豆瓣电影 丨Ms.Kay评论:《综合 第一季》居然是35mm胶片拍摄,喜欢。个人感觉比数码高清电视画面质感还要好。
新浪娱乐点评 丨网友评价:我一直认为所谓的影片是绘声绘色的书比小说更高基于虚拟与幻想回头一想却都是现实的虚幻影子。
大众点评 丨春夏秋冬评论:一直是热爱看其他剧写影评的人,却在大学以后久久不再提笔。可能是因为工作的忙碌,家庭的牵绊,还有世俗了的心。但是这都不影响我和我的另一半每周都会选择一部好片欣赏的好习惯。
丢豆网 丨网友评论:导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。
mtime时光网 丨一梦春秋评论:《综合 第一季》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!
猫眼电影 丨网友评论:今天又把综合 第一季这个其他剧看了一遍,感慨良多。
综合 第一季评论
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